Colloquium Series

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Apr
26
4:10 PM16:10

Classics Colloquium: Brett Stine (Columbia)

  • Department of Classics at Columbia University in the City of New York (map)
  • Google Calendar ICS

Title: Surface Tensions: Mutable Materials, Sympotic Sociability, and Bodily Surfaces in the Theognidea

Abstract: In this paper, I will explore the relationship between bodily surfaces and sympotic sociability focused on the corpus of the Theognidea. In particular, I explore the recurring issues of social mutability and adaptability in sympotic and polis communities staged as they are presented in the Theognidea. I argue that the body’s surface, especially the skin (χρώς, χροιή), brings together ethical problems of surfaces/presentation, concealing/deception, and mutability, most clearly articulated through surface-material associations with counterfeit metals (Thgn. 118-28, 447-52) and the adaptable body of the octopus (213-18, 1071-74; Plut. de amic. Multit. 96f). What I suggest this reading of surfaces provides is a way to conceive of a material alignment between the poetic program of the Theognideaand the sympotic world the collection constructs, pegged to the ethical dilemmas of trust and deceit, as well as praise and blame. This nexus of bodily and material surfaces demonstrates how archaic poetry can materially enmesh the body of the symposiast in the occasion the poetry creates as a way to both conceal and reveal these ethical challenges and realities simultaneously at the levels of poet, audience, and poetry.

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Apr
12
4:30 PM16:30

Classics Colloquium: Moira Fradinger (Yale)- "Decolonizing Antígonas: Writing from Latin America.

  • Department of Classics at Columbia University in the City of New York (map)
  • Google Calendar ICS

Title: Decolonizing Antígonas: Writing from Latin America

Abstract: “Our Greece is preferable to a Greece that is not ours,” wrote Cuban independence hero José Martí in his famous text Our America (1891). “Our Antígona is preferable to an Antigone that is not ours” could be the phrase that accounts for the intense creativity with which Latin Americans have imagined vernacular plays engaging the character of Antigone since the times of the 19th century wars of independence. In this talk, Fradinger suggests protocols to read the vast Antígona-corpus at the core of her book Antígonas: Writing from Latin America (OUP 2023), winner of the 2024 René Wellek Prize for outstanding monograph, awarded by the American Comparative Literature Association. Against the more common critical gesture of comparing/contrasting plays written in the South to ancient plays or modern European ones, the book offers a comparative approach that constructs a corpus and studies its internal dialogues. In this way, the author proposes to write from and with the South rather than about it. The corpus shows surprising patterns emerging throughout the region, unveiling an archive of political thought about political motherhood, womanhood, and the rise of diverse forms of post-independence necro-neocolonialism. The talk includes examples from Argentina, Haiti, Brazil, Puerto Rico, Mexico, Uruguay, and Colombia.

If you would like to receive a Zoom link, please email Melody Wauke (maw2277@columbia.edu). The link will be sent the day before the event.

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Feb
16
4:10 PM16:10

Classics Colloquium: Kristi Upson-Saia (Occidental College)

  • Department of Classics at Columbia University in the City of New York (map)
  • Google Calendar ICS

Prof. Kristi Upson-Saia (Occidental College) will give her talk entitled "Dental Distress in the Ancient Mediterranean.".

Title: Dental Distress in the Ancient Mediterranean

Abstract: Although we have seen an uptick in scholarship on ancient health and healing in recent years, scholars have devoted little attention to dental ailments and tooth pain. That said, in this talk, Dr. Upson-Saia will argue that dental ailments were among the most distressing health concerns faced by the vast majority of people in the ancient Mediterranean. To make this case, she will survey bioarcheological studies to discern the prevalence and kinds of dental pathologies people experienced. She will then survey ancient medical sources to further expand our understanding of the health risks posed by dental ailments, as well as to get a sense of the health risks involved in ancient dental treatments. And, finally, she will discuss a curious medical debate about the degree to which physicians should alleviate their patients’ pain when treating dental ailments. Taking a cue from Roy Porter’s call for more scholarship that takes the perspective of sick and suffering people—what Porter calls “medicine from below”—this talk will be keenly attuned to everyday people’s experiences of dental distress in the ancient Mediterranean.

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Dec
8
4:10 PM16:10

Classics Colloquium: Pauline LeVen (Yale University)

  • Department of Classics at Columbia University in the City of New York (map)
  • Google Calendar ICS

We are excited to invite you to the fourth and final talk of the Fall 2023 semester! 

Pauline LeVen (Yale University) will give her talk entitled "A World in Eight Tones: Seikilos’ Musical Cosmography." Dr. LeVen's talk will take place on Friday, December 8th, at 4:10 PM EST in Hamilton 603 and on Zoom. 

If you would like to receive a Zoom link, please email Melody Wauke (maw2277@columbia.edu). The link will be sent the day before the event.

Our speaker has kindly agreed to pre-circulate an abstract, pasted below

 

Title: A World in Eight Tones: Seikilos’ Musical Cosmography

Abstract: This paper focuses on the Seikilos epitaph, described as the "oldest surviving complete musical composition including musical notation from anywhere in the world.” It considers the epitaph as a form of cosmography and examines three questions: 1) how does the Seikilos song, in its use of musical and semantic material, create a world with a sense of order and boundaries, and provide a quasi-sensory experience of what it evokes?; 2) how does the materiality of the composition affect its interpretation, the kind of world(s) it constructs, and the response it seeks to elicit?; 3) how does the life of the object itself, through time and space, create alternate cosmographies and forms of thinking about the world as a whole, and the kind of world(s) that the song imagines for itself? 



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Nov
10
4:10 PM16:10

Classics Colloquium: Hanna Golab (Columbia University)

  • Department of Classics at Columbia University in the City of New York (map)
  • Google Calendar ICS

Title: "Healing Choruses and Therapeutic Landscapes of Roman Greece"

Abstract: In this talk, Dr. Golab introduces the corpus of epigraphic choral lyric and explores the dynamics between literary inscriptions and performance. She establishes that there was a ‘paianic revival’ in the Roman Empire—a poetic trend most vividly present in the epigraphic medium. The reasons for the revival were manifold, but in this talk, Dr. Golab focuses on the intersections of ancient ideas about song, epigraphy, and healthy environment. She demonstrates that the inscribed paians were a part of a more widespread effort to create therapeutic landscapes in Roman Greece.

 

Hanna Golab (Columbia University) will give her talk entitled "Healing Choruses and Therapeutic Landscapes of Roman Greece." Dr. Golab's talk will take place on Friday, November 10th, at 4:10 PM EST in Hamilton 603 and on Zoom. 

If you would like to receive a Zoom link, please email Melody Wauke (maw2277@columbia.edu). The link will be sent the day before the event.

Our speaker has kindly agreed to pre-circulate an abstract, pasted below. A poster for the event is also attached to the bottom of this email.

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Oct
20
4:10 PM16:10

Classics Colloquium: Dr. Patricia Kim (New York University)

  • Department of Classics at Columbia University in the City of New York (map)
  • Google Calendar ICS

Title: "Representing Queenship in the Seleucid Empire"

Abstract: In the Hellenistic world, the material and corporeal presence of dynastic women was important to articulating dynastic power, legitimacy, and continuity. In this talk, I examine the multi-modal strategies through which the physical presence of royal women was evoked in the Seleucid empire. The Seleucid realm requires a nuanced understanding of representation, inaugurating a different approach to the category of “portraiture,” as well as queenly faces, in ancient contexts. In the third and second centuries, Seleucid royal women were honored and represented in a variety of spatial contexts, from Anatolia to Iran. Honorific statues, glyptic and numismatic images, and surviving records of performative activations of the queen’s corporeality comprise the extant corpus of evidence. The Seleucid court and its subjects were not limited to any single mode of representation and instead embraced different kinds of portrait cultures—from the durable to the ephemeral, the over-life-size to the miniature—to evoke dynastic femininity. Furthermore, the evidence for Seleucid women charts the distinct movements of images, cults, and memories, as well as the physical mobilities of dynastic women themselves, across geo-cultural regions throughout the Hellenistic world. Ultimately, Seleucid portrayals of their royal women encourage us to challenge our own expectations of and encounters with figural representations in visual culture.

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Sep
15
4:10 PM16:10

Classics Colloquium: Malina Buturović (Yale University)

  • Department of Classics at Columbia University in the City of New York (map)
  • Google Calendar ICS

Malina Buturović (Yale University) will be our first speaker, with a talk entitled "The Transmission of Fault: Heredity as Problem of Theodicy". Malina's talk will take place on Friday, September 15th, at 4:10 PM EST in Hamilton 603 and on Zoom. If you would like to receive a Zoom link, please email Marissa Swan (mkh2161@columbia.edu) or Melody Wauke (maw2277@columbia.edu). The link will be sent the day before the event.

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