Mar
29
to Mar 31

The Barnard/Columbia Ancient Drama Group presents Mangled House

  • Minor Latham Playhouse - Barnard College (map)
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The Barnard/Columbia Ancient Drama Group presents Mangled House, an original collage of Aeschylus’ Agamemnon and Seneca’s Thyestes. The bloody family drama of the Agamemnon plays out as we know it, but this time in high American Gothic style and haunted by the House of Atreus’ ancestral ghosts, who reenact their own tragedy—of sibling rivalry, cannibalism, and revenge—in the background of their children’s. Inspired by midcentury haunted house tales, black-and-white horror films, and Gothic Grand Guignol classics like The Fall of the House of UsherMangled House is also a commentary on translation, archival history, and what it means to rewrite the past. Performed in Ancient Greek and Latin with English subtitles.

Tickets are available on eventbrite. The three performances in Minor Latham Playhouse are as follows: 

Friday March 29th, 8pm

Saturday March 30th, 8pm 

Sunday March 31st, 2pm 



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Apr
3
6:15 PM18:15

April 3: Music of the Oppressed: Tradition, Un-tradition, and the Unschooling of Music - Helga Davis and Alkinoos Ioannidis in Conversation

The Justice-In-Education Initiative at Columbia University invites you to:

Music of the Oppressed: Tradition, Un-tradition, and the Unschooling of Music.
Helga Davis and Alkinoos Ioannidis in Conversation

Helga Davis and Alkinoos Ioannidis have independently of each other engaged with the question of music as political engagement from the vantage point of the creator and the performer, especially with what could be called, a la Paulo Freire, “music of the oppressed.” They have been articulating this question in the music that they create and perform, especially from within the context of what constitutes “tradition” in musical education and what the role of the Classics can be in the production of modern music. As teachers, they have taken these questions to their students actively facing the challenges of what it takes to un-school children in music and school them again in a music project that is emancipatory (or e-womancipatory, e-humancipatory) utilizing the long tradition of humanity (mythology, in the case of Helga Davis, or “traditional” music, as Alkinoos Ioannidis does). They are both engaged in reorienting music for children as a pedagogical project, teaching them what music can do for humanity.

Moderated by Stathis Gourgouris, this dialogue will cover what can be possible for music on the stitches, borders, and folds of its being.

This is a joint event with Leros Humanism Seminars (LHS/ΣΛ), a project of Columbia Global Centers, Athens. 

Read More Here

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Apr
5
11:00 AM11:00

Classical Dialogue: Joshua Billings (Princeton, Classics)

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Joshua Billings (Princeton University, Classics)
Friday, April 5, 2024, 11:00 am ET 
509 Hamilton Hall, Department of Classics, 1130 Amsterdam Avenue, New York, NY, 10027

Joshua Billings (Princeton, Classics) will discuss The Philosophical Stage: Drama and Dialectic in Classical Athens (Princeton UP, 2023)

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Mar
6
6:15 PM18:15

March 6: Antigone Bound in a Mexico City Women's Prison - Andrew Parker (Rutgers University)

The Justice-In-Education Initiative at Columbia University invites you to:

Antigone Bound in a Mexico City women’s Prison

Speaker: Andrew Parker (Rutgers University)

In November 2018, Andrew Parker visited Santa Martha Acatitla, Mexico’s maximum security women’s prison as part of a collaboration between the Program in Comparative Literature, Rutgers University, and the Department of Estudios de Género (Gender Studies), UNAM (Mexico’s National Autonomous University). The collaboration was funded by the now-completed Mellon project “Critical Theory and the Global South” (Judith Butler and Penelope Deutscher PIs). The highlight of the visit to Santa Martha Acatitla was the screening for the delegation of a short video based on Sophocles’ Antigone created by the women themselves to protest their imprisonment. In addition to the video, the women have been collaborating with the UNAM Department of Women’s and Gender Studies in several murals documented in Deshacer la carcel (Unmaking the Prison). The event will center around the video as part of a discussion about “arts education” in Mexican and US prisons and on Antigone as a topos that indexes confinement and incarceration cross-culturally.

Read More Here

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Feb
23
11:00 AM11:00

Classical Dialogue: (co-sponsored with Classics): Richard Neer (U Classical Dialogue: Chicago, Art History) and Leslie Kurke (Berkeley, Dept. of Greek & Roman Studies)

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Richard Neer (U Classical Dialogue: Chicago, Art History) and Leslie Kurke (Berkeley, Dept. of Greek & Roman Studies)
Friday, February 23, 2024 11:00 am ET 
509 Hamilton Hall, Department of Classics, 1130 Amsterdam Avenue, New York, NY, 10027

(co-sponsored with Classics): Richard Neer (U Chicago, Art History) and Leslie Kurke (Berkeley, Dept. of Greek & Roman Studies) will discuss Pindar, Song, and Space: Towards a Lyric Archaeology (Johns Hopkins, 2019).

This in-person event has an author-meets-readers format. We are circulating in advance "The Propinquity of Things (Introduction), an excerpt from "Two Spatial Technologies: The Map and the Chorus" (Chapter 1), and "Epigraphy, Architecture, Song: Olympian 6 and Other Gifts" (Chapter 7) to prepare for the conversation (please see them attached).

After an introduction by Professor Ioannis Mylonopoulos (CU Department of Art History and Archaeology), Profs. Neer and Kurke will discuss the book, engage in dialogue with Margaret Corn (CLST) and Brett Stine (Department of Classics), and answer questions from attendees in a seminar-style format.

A short reception will follow the event. We hope that you can join us!


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Feb
16
4:10 PM16:10

Classics Colloquium: Kristi Upson-Saia (Occidental College)

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Prof. Kristi Upson-Saia (Occidental College) will give her talk entitled "Dental Distress in the Ancient Mediterranean.".

Title: Dental Distress in the Ancient Mediterranean

Abstract: Although we have seen an uptick in scholarship on ancient health and healing in recent years, scholars have devoted little attention to dental ailments and tooth pain. That said, in this talk, Dr. Upson-Saia will argue that dental ailments were among the most distressing health concerns faced by the vast majority of people in the ancient Mediterranean. To make this case, she will survey bioarcheological studies to discern the prevalence and kinds of dental pathologies people experienced. She will then survey ancient medical sources to further expand our understanding of the health risks posed by dental ailments, as well as to get a sense of the health risks involved in ancient dental treatments. And, finally, she will discuss a curious medical debate about the degree to which physicians should alleviate their patients’ pain when treating dental ailments. Taking a cue from Roy Porter’s call for more scholarship that takes the perspective of sick and suffering people—what Porter calls “medicine from below”—this talk will be keenly attuned to everyday people’s experiences of dental distress in the ancient Mediterranean.

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Feb
7
6:15 PM18:15

February 7th: Art as a Practice of Freedom - Mia Ruyter and Kristina Binova in Conversation with Shedrick Blackwell and Amaury Bonilla

The Justice-In-Education Initiative at Columbia University invites you to:

Art as a Practice of Freedom

Mia Ruyter and Kristina Binova in Conversation with Shedrick Blackwell and Amaury Bonilla

As artists, educators, activists, and scholars, we ask ourselves, what is the best way to share quality arts programming with system-impacted community members? How can we participate in the struggle for prison abolition? This workshop involves art creation, reflection, and a discussion on practice. Although our work is fun and joyful and results in positive human connections, first and foremost, our priority is creating a space to deliver programming that heals, educates, and liberates. The friendship, joy, and community that sometimes happen during our programs are part of creating a liberatory space because education and healing are necessary to free them and all of us from the systems in society that lead to the dystopia of mass incarceration.”

Read More Here

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Jan
18
7:30 PM19:30

Elizabeth Carney (Clemson) - “The End of a Dynasty: Commemoration and Appropriation of the Aeacid Past”

Thursday, 18th January 2024, 7:30 p.m.

     Prof. Elizabeth Carney (Clemson University)

“The End of a Dynasty: Commemoration and Appropriation of the Aeacid Past”

Location: Columbia University Faculty House

Prof. Carney has kindly shared the abstract of the talk with us:

"Aeacid monarchy in Molossia/Epirus ended in an explosion of violence about 232 BCE, yet some Aeacids continued to celebrate their predecessors and, indirectly, themselves, even more than two centuries later. At Delphi and possibly at Olympia, Nereis, the last survivor of the immediate ruling family, with her husband, Gelon II, soon after the abolition of monarchy in Epirus, dedicated multiple statues of some of the last ruling Aeacids to Apollo.  The burials of at least three other members of the Aeacid clan, resident in Macedonia, clustered around the burial or tomb of Olympias in the region of Pydna, the site of her death. The name “Neoptolemus,” that of the son of Achilles and supposed founder of Molossian monarchy (and of several Epirote kings), appears in all three inscriptions, as does pride in Aeacid identity. Two of these inscriptions celebrate Olympias, but none mentions monarchy, either Epirote or Macedonian. This paper will examine the nature and apparent motivation of these post-monarchy memorials."

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Dec
8
4:10 PM16:10

Classics Colloquium: Pauline LeVen (Yale University)

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We are excited to invite you to the fourth and final talk of the Fall 2023 semester! 

Pauline LeVen (Yale University) will give her talk entitled "A World in Eight Tones: Seikilos’ Musical Cosmography." Dr. LeVen's talk will take place on Friday, December 8th, at 4:10 PM EST in Hamilton 603 and on Zoom. 

If you would like to receive a Zoom link, please email Melody Wauke (maw2277@columbia.edu). The link will be sent the day before the event.

Our speaker has kindly agreed to pre-circulate an abstract, pasted below

 

Title: A World in Eight Tones: Seikilos’ Musical Cosmography

Abstract: This paper focuses on the Seikilos epitaph, described as the "oldest surviving complete musical composition including musical notation from anywhere in the world.” It considers the epitaph as a form of cosmography and examines three questions: 1) how does the Seikilos song, in its use of musical and semantic material, create a world with a sense of order and boundaries, and provide a quasi-sensory experience of what it evokes?; 2) how does the materiality of the composition affect its interpretation, the kind of world(s) it constructs, and the response it seeks to elicit?; 3) how does the life of the object itself, through time and space, create alternate cosmographies and forms of thinking about the world as a whole, and the kind of world(s) that the song imagines for itself? 



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Dec
1
11:00 AM11:00
CAM

Andrea Achi (Met Museum)

Dear all,

Due to unforeseen circumstances, we regret to inform you that the in-person component of the event has been canceled. However, we are pleased to announce that the event will now be conducted virtually via Zoom. For logistical reasons, this virtual session is exclusively available to individuals affiliated with Columbia University. To access the Zoom link for the event, we kindly ask you to register using the following link: https://forms.gle/1Mz4dUNJZZtQA1kh6

The Zoom link will be circulated on the morning of the event.

We appreciate your understanding and cooperation in this matter.

If you have any questions or concerns, feel free to reach out to us at gl2623@columbia.edu.

Kind regards,

Giovanni Lovisetto

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Nov
17
11:00 AM11:00
CAM

Sulochana R. Asirvatham (Montclair State University)

The Center for the Ancient Mediterranean (CAM) at Columbia University is thrilled to invite you to the following lecture:

Sulochana R. Asirvatham (Montclair State University)

“The Paradox of Humane Imperialism: Revisiting Plutarch’s On the Fortune or Virtue of Alexander the Great”

Friday, November 17, 2023, 11:00 am ET

5th Floor Seminar Room, Italian Academy for Advanced Study, 1161 Amsterdam Avenue, New York, NY, 10027

A short reception will follow the lecture. All are welcome to attend.

This is a hybrid event; registration is required for both in-person and virtual attendance: https://forms.gle/1z4rpikCusj7A69t6

You can find an abstract of the talk on our website, together with further information on this event and on the Fall 2023 CAM series.

For any questions, feel free to get in touch with me at gl2623@columbia.edu.

Kind regards,

Giovanni Lovisetto

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Nov
10
4:10 PM16:10

Classics Colloquium: Hanna Golab (Columbia University)

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Title: "Healing Choruses and Therapeutic Landscapes of Roman Greece"

Abstract: In this talk, Dr. Golab introduces the corpus of epigraphic choral lyric and explores the dynamics between literary inscriptions and performance. She establishes that there was a ‘paianic revival’ in the Roman Empire—a poetic trend most vividly present in the epigraphic medium. The reasons for the revival were manifold, but in this talk, Dr. Golab focuses on the intersections of ancient ideas about song, epigraphy, and healthy environment. She demonstrates that the inscribed paians were a part of a more widespread effort to create therapeutic landscapes in Roman Greece.

 

Hanna Golab (Columbia University) will give her talk entitled "Healing Choruses and Therapeutic Landscapes of Roman Greece." Dr. Golab's talk will take place on Friday, November 10th, at 4:10 PM EST in Hamilton 603 and on Zoom. 

If you would like to receive a Zoom link, please email Melody Wauke (maw2277@columbia.edu). The link will be sent the day before the event.

Our speaker has kindly agreed to pre-circulate an abstract, pasted below. A poster for the event is also attached to the bottom of this email.

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Nov
10
11:00 AM11:00

Classical Dialogue: Denise Demetriou (USCD, Department of History)

  • Department of Classics at Columbia University in the City of New York (map)
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Denise Demetriou (USCD, Department of History)
Friday, November 10, 2023, 11:00 am ET 
509 Hamilton Hall, Department of Classics, 1130 Amsterdam Avenue, New York, NY, 10027
 

Denise Demetriou (USCD, Department of History) will discuss her book Phoenicians among Others: Why Migrants Mattered in the Ancient Mediterranean (Oxford UP, 2023)

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Oct
27
11:00 AM11:00

Jhumpa Lahiri (Barnard College) & Yelena Baraz (Princeton University)

The Center for the Ancient Mediterranean (CAM) and the Italian Academy for Advanced Studies in America at Columbia University invite you to the following talk:

Jhumpa Lahiri

From "Plots and Twists" to a co-translation of Ovid’s "Metamorphoses"

Friday, October 27, 2023

11:00 am ET

Italian Academy, Columbia University, 1161 Amsterdam Avenue (south of 118th Street), New York, NY 10027

**Because this event is co-sponsored by the Italian Academy and space is restricted, it is required to pre-register via email by writing to Kathleen Cagnina at kc3452@columbia.edu.

People without registration, unfortunately, will not get access.**

You can find an abstract of the talk on our website, together with further information on this event and the Fall 2023 CAM series.

For any questions, feel free to get in touch with me at gl2623@columbia.edu.

Kind regards,

Giovanni Lovisetto

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Oct
26
7:30 PM19:30

Rosa Andújar (Kings College)

Thursday, 26th October 2023, 7:30 p.m.

Prof. Rosa Andújar (King's College London)

“Smelling the Gods in Greek Tragedy”

Location: Columbia University Faculty House

Prof. Andújar has kindly shared the abstract of the talk with us:

This paper examines divine fragrances in Greek tragedy. I focus on two moments in which characters claim to recognize the presence of a god through smell: the closing scene in Hippolytus in which the dying protagonist notes the apparition of Artemis (Eur. Hipp. 1391-3) and the moment preceding the parodos in Prometheus Bound, in which Prometheus becomes aware of the entrance of the chorus of Oceanids (Aesch. PV 115). I position the two scenes in relation to recent work on the cultural history of olfaction and the ways in which smell played a key role in establishing religious meaning and the experience of the divine. I argue that these scenes provide a unique insight into two crucial issues for the Greek dramatic stage: the ambiguously material tragic gods and the equally unstable materiality of the sense of smell. Not only do these two scenes draw attention to the fluctuating corporeality of the Greek gods, but they also illuminate the strangeness of relying on the ambiguous sense of smell as a primary means of recognition on the stage. As I contend, these two scenes furthermore enable us to rethink the general “smellscape” of ancient Greek drama and the ways in which tragic aromas and stenches differed from those found in satyr play and Old comedy. In a genre so heavily invested in visual and aural spectacle, it is easy to overlook the manner in which smell contributed to the experience of fifth-century Athenian theatre.

The evening will begin with drinks at 5:45 PM at the Faculty House (location TBA on the screens in the lounge), followed by dinner at 6:15 PM.

Please confirm by October 18th (midday) if you will be attending any of these events in person by emailing our Rapporteur José Antonio Cancino Alfaro (jc5502@columbia.edu).

We hope to see many of you!

Yours sincerely,

Marcus Folch

Joel Lidov

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Oct
20
4:10 PM16:10

Classics Colloquium: Dr. Patricia Kim (New York University)

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Title: "Representing Queenship in the Seleucid Empire"

Abstract: In the Hellenistic world, the material and corporeal presence of dynastic women was important to articulating dynastic power, legitimacy, and continuity. In this talk, I examine the multi-modal strategies through which the physical presence of royal women was evoked in the Seleucid empire. The Seleucid realm requires a nuanced understanding of representation, inaugurating a different approach to the category of “portraiture,” as well as queenly faces, in ancient contexts. In the third and second centuries, Seleucid royal women were honored and represented in a variety of spatial contexts, from Anatolia to Iran. Honorific statues, glyptic and numismatic images, and surviving records of performative activations of the queen’s corporeality comprise the extant corpus of evidence. The Seleucid court and its subjects were not limited to any single mode of representation and instead embraced different kinds of portrait cultures—from the durable to the ephemeral, the over-life-size to the miniature—to evoke dynastic femininity. Furthermore, the evidence for Seleucid women charts the distinct movements of images, cults, and memories, as well as the physical mobilities of dynastic women themselves, across geo-cultural regions throughout the Hellenistic world. Ultimately, Seleucid portrayals of their royal women encourage us to challenge our own expectations of and encounters with figural representations in visual culture.

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Oct
10
6:15 PM18:15

Celebrating Recent Work by Ellen Morris

Event link: https://sofheyman.org/events/celebrating-recent-work-by-ellen-morris 

Join us for our New Book Series event honoring Famine and Feast in Ancient Egypt by Ellen Morris. Famine and Feast in Ancient Egypt covers the creation and curation of social memory in pharaonic and Greco-Roman Egypt.

Professor Morris will be joined by panelists Zoë Crossland, John Ma, Joseph Manning, and Nancy Worman. 

Tuesday, October 10, 2023, 6:15 pm EST | In person at the Heyman Center and online via Zoom

Registration required 

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Oct
6
11:00 AM11:00

Classical Dialogue: Jessica Lamont (Yale University, Department of Classics)

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Jessica Lamont (Yale University)
Friday, October 6, 2023, 11:00 am ET 
509 Hamilton Hall, Department of Classics, 1130 Amsterdam Avenue, New York, NY, 10027

As part of its Classical Dialogues series, the Classical Studies Graduate Program at Columbia University is pleased to welcome Jessica L. Lamont, Assistant Professor of Classics at Yale University

Jessica L. Lamont will discuss her book In Blood and Ashes: Curse Tablets and Binding Spells in Ancient Greece (Oxford UP, 2023), which offers "the first historical study of ancient Greek curse rituals, binding spells, and incantations" while uniting "epigraphic, historical, literary, archaeological, and material evidence to expand understandings of daily life in ancient communities." Introduction by Sailakshmi Ramgopal (Columbia University) with commentary by Giovanni Lovisetto (Columbia University)

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Sep
29
11:00 AM11:00

Classical Dialogue: Johannes Haubold (Princeton University)

Johannes Haubold (Princeton University)

“Babylon under the Achaemenids: the Greek sources re-considered”
Friday, September 29, 2023, 11:00 am ET 
5th Floor Seminar Room, Italian Academy for Advanced Study, 1161 Amsterdam Avenue, New York, NY, 10027

A short reception will follow the lecture. All are welcome to attend.

You can find an abstract of Professor Haubold’s talk on our website, together with further information on this event and the Fall 2023 CAM series.

This is a hybrid event. Please fill out this form if you wish to participate remotely (a Zoom link will be circulated on the morning of the event): https://forms.gle/5MZDRdPQbRTzAsZx9

For any questions, feel free to get in touch with Giovanni Lovisetto at gl2623@columbia.edu.

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Sep
21
7:30 PM19:30

Matthew Leigh (University of Oxford)

Thursday, September 21, 2023, 7:30 p.m.

     Prof. Matthew Leigh (University of Oxford)

“Declamatory Fictions and the Crimen Maiestatis - Seneca, Controuersiae 9.2”

Location: Columbia University Faculty House

 

Prof. Leigh has kindly shared the abstract of the talk with us:

 

“In 184 B.C., the censors M. Porcius Cato and L. Valerius Flaccus expelled from the senate seven of its members, of whom the most famous was L. Quinctius Flamininus. The accusation against Flamininus was that, while serving as consul for the year 192 B.C. and campaigning in the province of Gaul, he personally slew with a sword a Boian deserter who had reached his quarters while he was in his cups. This he did to compensate his prostitute lover Philippus who had quit Rome with him just before the gladiatorial games and complained to Flamininus that he had missed the entertainment. Livy 39.42-43 records this episode and cites the principal sources for subsequent versions of the story. In Controversiae 9.2, Flamininus stands trial under the statute'maiestatis laesae sit actio'. This paper asks the following questions of the Senecan exercise: (i) Is there any historical basis for an actual trial of Flamininus under the lex maiestatis? (ii) What does it mean for declaimers operating at different points in the reigns of Augustus and Tiberius to try the case by application of the crimen maiestatis? (iii) What perspective on the different iterations of this exercise and on those credited with contributing to it is offered to Seneca as he gathers together his material at the very end of the reign of Tiberius and published it at the start of that of Gaius?”

 

We hope to see many of you there!

 

Yours sincerely,

Marcus Folch

Joel Lidov

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Sep
15
4:10 PM16:10

Classics Colloquium: Malina Buturović (Yale University)

  • Department of Classics at Columbia University in the City of New York (map)
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Malina Buturović (Yale University) will be our first speaker, with a talk entitled "The Transmission of Fault: Heredity as Problem of Theodicy". Malina's talk will take place on Friday, September 15th, at 4:10 PM EST in Hamilton 603 and on Zoom. If you would like to receive a Zoom link, please email Marissa Swan (mkh2161@columbia.edu) or Melody Wauke (maw2277@columbia.edu). The link will be sent the day before the event.

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Sep
1
1:00 PM13:00

Greek (Ancient), Latin Placement Exam - 616 Hamilton Hall

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Greek (Ancient), Latin Placement Exam, 616 Hamilton Hall, 1p–3p

To register for the placement exam, please contact Shante Tucker, Administrative Assistant, at: st3516@columbia.edu.

If students have questions please reach out to Professor Marcus Folch: at mf2664@columbia.edu

**This is a sight exam; no dictionaries or grammatical aids may be used.** 

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May
17
12:00 PM12:00

Classics Department Graduation Celebration - May 17th 12p-2:30p 618 Hamilton Hall

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The Department of Classics would like to formally invite all of you and your families to a gathering after University Convocation on May 17th.

We will have food and drink in the Classics Department, Hamilton Hall, 618 from 12-2:30 for you and your families to enjoy and celebrate the day with a toast with the Classics Faculty. 

We would be delighted if you would join us. 



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Apr
22
9:00 AM09:00

Reframing Hellenistic Poetry: Hidden Figures and Local Can

  • The Italian Academy, Columbia University, 5th Floor Conference Room (map)
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SCHEDULE

9:30 Welcome

Panel I

9:35-10:20
Dee Clayman, ‘Hellenistic Aesthetics and the Cynics’

10:20-11:05
Alexandra Schultz, ‘Literary History and Local Canons in the Hellenistic Period: A Response to Reviel Netz’

11:05-11:15 coffee break

Panel II

11:15-12:00
Patrice Hamon, ‘Literary and cultural memory at Thasos (fourth century BCE-second century CE)’

12:00-12:45
Aneurin Ellis-Evans, ‘Myus, Miletus, and Callimachus’

12:45-2:00 Lunch break 

Panel III

2:00-2:45
Hanna Golab, ‘Civic Performances of Poetry in the Hellenistic Age’

2:45-3:30
John Ma, ‘Post-Hellenistic poetry in the gymnasion at Oxyrhynchos’

3:30-3:45 coffee break

3:45-4:15
Jackie Murray, Response

4:15-4:45
Joe Howley, Response

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